La Bande-originale de Sur La Route.

La liste de titres de la bande-originale du film Sur La Route, composée par Gustavo Santaolalla, a été dévoilée :

1. Sweet Sixteen – Greg Kramer
2. Roman Candles
3. Yep Roc Heresy – Coati Mundi
4. Reminiscence
5. Lovin’ It
6. The Open Road
7. Memories / Up to Speed
8. I’ve Got the World on a String – Ella Fitzgerald
9. That’s It
10. Keep it Rollin’
11. Hit That Jive Jack – Slim Gaillard
12. God Is Pooh Bear
13. Death Letter Blues – Son House
14. I Think of Dean
15. Jack Kerouac Reads ‘On the Road’ – Kerouac Jack




Le CD sortira le 14 mai au prix de 12,99 €.
 En attendant, vous pouvez pré-commander le disque sur Amazon et écouter des extraits





A l'écoute : 






I’ve Got the World on a String – Ella Fitzgerald


Hit That Jive Jack – Slim Gaillard



Death Letter Blues – Son House 



Jack Kerouac Reads ‘On the Road’ – Kerouac Jack



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SUR LA ROUTE : festivals et événements.


FRANCE :
SUR LA ROUTE sortira en France le 23 mai.
Parallèlement, il sera projeté au Festival de Cannes le 23 mai à 8h30 et 19h00 dans le cadre de la compétition officielle.




ALLEMAGNE :
SUR LA ROUTE est sélectionné au festival du film de Munich.
Il sera projeté le 1er juillet à 9h30, le 2 juillet à 19h30 et le 4 juillet à 22h. 
Lien vers le site du festival : ici






ANGLETERRE : 

SUR LA ROUTE sera diffusé en plein air le 16 août à Londres à la  Somerset House, un évenement organisé par Fillm4.

"At the industry-heavy party, Ross also announced that Walter Salles’ Cannes Competition title On The Road will have its UK premiere on Aug 16 opening the Film4 Summer Screen series at London’s Somerset House."
Plus d'infos sur le site internet : ICI



AUSTRALIE 

SUR LA ROUTE sera en compétition officielle lors du Festival de Sydney et sera projeté le dimanche 2 juin à 14h et le mardi 12 juin à 17h.

Programme : 
On the Road STATE Sun 10 Jun 2:00 PM
On the Road EV4 Tue 12 Jun 5:00 PM





Source - Via
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Kit de presse Cannes : De nouvelles images et interviews!

Kit de presse Cannes : De nouvelles images et interviews!


Pour lire les interviews du kit : ICI 


























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Critiques de SUR LA ROUTE.

Magazine Première du mois du mai : 





















English translation :
(C) OnTheRoad-TheMovieFR / @NoemieS7art (credit please!) 


After the death of his father in the beginning of the 50’s, Sal Paradise, young writer, go with his friend Dean Moriarty for a liberating odyssey on US roads. On the menu : sex, drugs and be-bop. At the end, a mythic novel. 

Even if it has been quoted a thousand times in theater, Jack Kerouac’s novel, manifesto of the Beat Generation, had never been adapted. Walter Salles did it, with the experience he gained thanks to The Motorcycle Diaries, another road movie-biography happening in the 50’s. Good news : the Brazilian director did pretty well, imposing to its movie the same jazzy rhythm as the one who inspired the young writer years before. Eric Gauthier is behind the camera, and the fact that he shoots with the camera on his shoulder conveys the permanent movement of the characters, who by changing their points of view, managed to have a better comprehension of the world. In front of the perfect Sam Riley, witness and actor at the same time, Garrett Hedlund make us forget the disappointing ‘’Tron-Legacy’’ by playing with endless energy the charismatic Dean Moriarty, insatiable explorer of new vehicles, above all in love, - he was training every position, with one or several people at the same time, swinging both ways. Kirsten Dunst and above all Kristen Stewart are very good playing girlfriends always up for it, but inevitably disappointed when they discover that fidelity is not compatible with freedom. In hindsight, the travel of these pioneers can be seen as limited if we compare it to more radicals experiences of following decades, but it has the merit to be the first, and the actors succeed in sharing with us the excitement of the discovery.

Scans via 



Par Marc-André Lussier pour Cinema.lapresse.ca :


On the Road à Cannes : une route un peu trop lisse...


Attendue depuis 30 ans, l'adaptation cinématographique du célèbre On the Road de Kerouac, réalisée par Walter Salles, ne suscite guère l'enthousiasme. Holy Motors, qui marque le retour de Leos Carax au cinéma, provoque en revanche des débats passionnés. 
Francis Coppola avait d'abord acheté les droits d'On the Road, le récit culte de Jack Kerouac, en 1979. Il aura pourtant fallu plus de 30 ans avant qu'une adaptation cinématographique voie enfin le jour. La traversée du continent sur les routes de l'Amérique par un trio en quête de liberté dans les années d'après-guerre a cinématographiquement pris forme sous la gouverne du cinéaste brésilien Walter Salles. Ce dernier, révélé grâce à Gare centrale, a pratiquement consacré huit ans de sa vie au projet. Roman Coppola, fils de Francis, agit aujourd'hui à titre de producteur. 
Pas facile de reconquérir l'état d'esprit d'une époque complètement révolue en tentant d'en traduire le caractère révolutionnaire, voire subversif. Au cinéma, On the Road emprunte les allures d'une production trop léchée, qui ne parvient jamais à masquer ses conventions sous sa posture d'audace. À cet égard, on sent bien que le film a tout ce qu'il faut pour titiller le public américain sans trop le brusquer. Oui, il y a du sexe, des pétards, de l'alcool, des écarts de conduite à faire frémir tous les Dérapages du monde. Mais l'ensemble est mis en scène dans un cadre bien inoffensif, un peu comme si l'on voulait susciter davantage auprès du spectateur un sentiment de nostalgie plutôt que de le renvoyer à une vraie réflexion. [Lire la suite]





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TROIS COULEURS prend la route !

Ce mercredi voit la sortie du Hors-Série spécial SUR LA ROUTE et du nouveau numéro de Trois Couleurs, avec Garrett Hedlund en couverture !

Pour lire le numéro en ligne : ICI

Extraits : 





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SUR LA ROUTE dans le magazine PREMIERE de mai 2012

Le magazine Première dédie son numéro de mai au festival de Cannes et consacre une partie à SUR LA ROUTE. Pas beaucoup de texte, mais de nouvelles images du films ainsi que des photos prises en off sur le tournage. 









Les scans : 
(merci à RobstenDreams pour les scans !) 

Couverture du magazine Première












Via 


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EXCLUSIVE : Interview with Jake La Botz , Okie Hitchiker in ON THE ROAD.



I interviewed Jake La Botz just after the release of the On The Road trailer. Now, the movie is selected to the Cannes Film Festival. Jake La Botz will be there, walking the red carpet on May 23rd. It’s going to be a busy summer for the actor-singer, as he will be doing concerts in France just a few days after the On The Road Premiere in Cannes.


Kristen Stewart, Jake La Botz and Rocky Marquette (C) MK2


What did you think about the trailer ? What was your first thought when you saw it?  

1st thought: The trailer is a true ‘teaser’… it gives just enough dance, dirt, and danger for us to get sucked in. Total beauty!

2nd thought: Holy shit I’m in it! 

Your character, the Okie hitchiker, meets Sal, Dean and Marylou on the road… 
He’s a travelling minstrel… an itinerant Okie moo-sician stranded in Arizona… out of work, out of dough, and minus a gi-tar… looking to cop a lift back to his family in Cali. He’s an affable, joke telling songster. On the outside he’s the archetypal ‘drifting cowboy’… but there’s something very unusual about this guy.

How did your audition go ?  
I was living in New Orleans back then and I got a call from the local casting people. They asked me to come in to audition for the Okie Hitchiker, but I was 1000 miles away in Virginia playing that night for a motorcycle gang called ‘the Warlocks’… so I put something on tape in my motel room the next day and emailed it to them. A few days later I was in Brooklyn having dinner, before a gig, with my friend Steve Buscemi. I mentioned to him that I had just auditioned for On The Road… and he said he was going to be in it… AND that he would send an email to Walter Salles on my behalf! Apparently Walter had already seen the audition tape and liked it… but it didn’t hurt having Buscemi put in the good word! 

How would you describe the work of Walter Salles on the movie ? 
From my brief experience with him I would say this: Walter is a man of great vision and insight. He creates situations in which something can happen between actors and the environment… something often unscripted… something magic. He leaves a lot of space to see what arises out of the inspiration of the moment. 

What about playing with the other actors ? In the trailer, we can see you in the Hudson with Kristen Stewart and Rocky Marquette.  
The feeling was that we were actually out on the road… I never felt like I was working with actors.  


Could you say more about the atmosphere during filming? Any special moment you won’t forget?  
Walter Salles seems so comfortable in his skin… he and his cohorts created an energized and friendly environment to work in. I didn’t experience any of the angry, heavy-handed, Hollywood ‘get-it-done-yesterday’ vibe that I’ve seen working on big movies in the past. There was also a sense of equality among the people working on the film. One thing I remember is seeing Walter come loping up to the car in the Arizona desert as we were preparing for one more take of something. He’d been standing out in the sun for 12 hours… his eyes were wild and his skin burnt… he looked as though he’d lost his mind… I think I even asked him if he was going crazy…he smiled and high-fived Kristen. What became clear was that no matter what the degree of personal physical or mental discomfort Walter never loses sight of his vision. 


Did you have the opportunity to discuss with the other actors about their feelings on the movie and the book?   
Not much... but it was clear that the lead actors had worked very hard to embody the characters they were portraying.

  

What about you ? How did you prepare yourself?   
Well, you could say my entire life has been sort of a Beat story: stealing a car at 15 and running away from home… working in factories, and oil refineries, learning how to play blues from the last of the Delta blues men, getting strung out on heroin, living in SRO hotels, moving from town to town in search of the same romance with the world I experienced in reading Kerouac's books… eventually getting clean and studying and practicing Buddhist meditation. 

How would you define Kerouac’s universe ?  
It's a call and response be-bop hymn between Kerouac and America... which causes the unique cosmic underpinnings in every person and situation to reveal themselves. Or maybe it’s just a hyper-real dance marathon.  


What will you remember about this whole adventure?   
The magic. The cosmic force that seemed to be reflected in Walter’s eyes… in the side view mirror of the Hudson… in the lens of Eric’s camera.


Last but not least : apart of being an actor, you’re also a great singer. Will we have the honor to hear one of your song in the movie ?   
Thank you for saying so. We did film the Okie singing a Jake La Botz song in the backseat… [Note :  "Hard to Love What You Kill" ] but you never know… I hope it’s still in there!


And we hope too, since that scene is one of Walter Salles’ favorite part of the film ! As he said in the On The Road special issue made by Trois Couleurs :  “Jake La Botz, […] an actor-singer Steve Buscemi introduced me to for On The road, had given a concert in New Orleans two days before shooting. One of the song struck me with its accuracy, as though it had been written especially for the Marylou character. I asked him to sing it without playing in the Hudson, without warning Kristen. She reacted instinctively to something she was hearing for the first time, and it’s one of my favorite parts of the film.’’ 


Jake La Botz will attend the Cannes Festival on May 23rd, then do some concerts in South of France. Check the dates here


<-  Europeantour poster in the style of La Botz's character "The Okie Hitchhiker"  

Official Website : here 

Official Facebook Page : here  

Official MySpace : here





  - Noémie Sornet 
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